by apepperstudio26 | Jan 1, 2014 | Holography and Installation
This work marks the first time Pepper used a digital holographic production process.
The image-object within the holographic plate initially existed as a series of points within a digital 3D modelling system. That data was sent to a holographic production Zebra...
by apepperstudio26 | Jan 9, 2013 | Holography and Installation
During 1999, Pepper began reducing the size of the holographic elements within his works. This was partly a way of exploring the relative impact the holograms had on the overall work or installation, and partly due to an interest in the ‘reduced mark’, a method of...
by apepperstudio26 | Jan 1, 2013 | Holography and Installation
PA Redrawn-Line builds on a series of earlier floor-based installations incorporating multiple holograms. Shown in the group exhibition Drawology at Bonington Gallery, School of Art and Design, Nottingham Trent University, Nottingham, UK, the work reconsiders the...
by apepperstudio26 | Jan 1, 2011 | Holography and Installation
A rectangular glass holographic plate, displaying the shadows of water, is held upright by an industrial G-clamp. The undulating and kinetic marks, occupying a space between the viewer and the glass picture plane, are not pigment ‘marks’ but the shadow...
by apepperstudio26 | Jan 1, 2011 | Holography and Installation
Included in Miniments, an architect’s townscape model. Artists were invited to produce site-specific mini monuments (Miniments) to occupy the town and its buildings. School of Art and Design, Bonington Building, Nottingham Trent University, Nottingham, UK. 13...
by apepperstudio26 | Jun 14, 2001 | Holography and Installation
Site-specific installation, produced for the 2001 solo exhibition Deep Shadows? at Gallery 286, London, incorporates metal and holographic surfaces, electric light, and shadows cast onto the gallery floor. p Title: Sight Lines Date: 2001 Size: Gallery installation:...
