by apepperstudio26 | Jun 10, 2022 | Exhibitions-Group
Open 22 NAE Light Wedge Installation, 2022.Two glass holographic plates (drawings) and a physical wooden wedge. We intrinsically ‘understand’ how drawings in our world function. They are stable and attached to their picture plane or surface. What happens when that...
by apepperstudio26 | Apr 27, 2022 | News
Andrew Pepper will be speaking at Nottingham Contemporary as part of the Liveness: Creative Work and Presence in Physical and Digital Spaces event. He will be discussing the significance of liveness in the process of making and staging artworks within exhibitions, in...
by apepperstudio26 | May 7, 2021 | Publications
Article commissioned by the Guggenheim Museum, New York, to coincide with Deana Lawson’s 2021 solo exhibition, in which she included holograms alongside her photography. Published 7 May 2021 Headline image Dan Schweitzer, The Tunnel and below, Margaret Benyon,...
by apepperstudio26 | May 7, 2021 | News
Headline image from the Guggenheim’s website, 2021, To coincide with Deana Lawson’s solo exhibition at the Guggenheim Museum, New York, a text examining how artists work with holography has been commissioned for the Guggenheim website. MORE...
by apepperstudio26 | Jan 1, 2021 | Publications
Text published in Style is Fraud: Carl Fredrik Reuterswärd.pp. 104-109. Bokförlaget Arena, Sweden, 2004.ISBN 91-7843-187-5 “When, for the first time in history, one has an instrument, an optical element which can show every point of one’s face in its exact position in...
