News

Work included in NAE Open

Andrew Pepper has been included in the New Art Exchange’s 2022 Open exhibition.

The juried selection, from over 300 submitted works, reflects the diversity of practices and approaches from Nottinghamshire-based and Global Majority artists living in the UK.

Exhibited for first time in the UK, Light Wedge, is a floor-based installation incorporating holographic drawings.

The exhibition opens on 10 June 2022 and continues until 3rd September.

Gallery open Tuesday – Saturday 10am – 4pm

NAE New Art Exchange, Nottingham.

More details about the work can be found here.

Details about the New Art Exchange Open installation here.

www.nae.org.uk/exhibition/nae-open-2022/191

Artists selected for the NEA Open 2022 are:

  • Mohamad Aaqib Anvarmia

  • Jessica Ashman

  • Tristram Aver

  • Sayra Begum

  • Adonia Bouchehri

  • Roisin Bourke

  • Jarvis Brookfield

  • Shaista Chishty

  • Clare Chun-yu Liu

  • Rosie Deegan

  • Neequaye Dreph Dsane

  • Grace Eden

  • Tim Fowler

  • Enam Gbewonyo

  • Gisou Golshani

  • Suman Gujral

  • Hannaa Hamdache

  • Arthur Hsu

  • Henrique J. Paris

  • Seungjo Jeong

  • Sabine Kaner

  • Sumuyya Khader

  • Day Eve Komet

  • Sahjan Kooner

  • Olana Light

  • Rudy Loewe

  • Jas Lucas

  • Jeneé Marie

  • Fungai Marima

  • Delores Oblitey

  • Andrew Pepper

  • Daniel Rapley

  • Benjamin Rostance

  • Shannon Scherer

  • Janhavi Sharma

  • Chiemi Shimada

  • Saintly Amok

  • Jamal Sterrett

  • Hope Strickland

  • Arushee Suri

  • Kim Thompson

  • Vernon Tong

  • Zheni Warner

  • Honey Williams

  • Kenizzi Yamalimbu

Other News

New website launched

New website launched

The redesign includes a more extensive catalogue of work, and ease of use on mobile devices.

Meet The Meeting

Meet The Meeting

Rick Silberman and the Material Poetics of Holography, Published on Medium.com, this article examines this seminal work and its impacted on the art world.

Quiet Recognition:

Quiet Recognition:

Published on Medium.com this article explores the quiet shift of creative holography into 20th-century art collections.