Andrew Pepper

Holography, projected light, installation, and spatial drawing. Exploring aspects of mark-making and our peripheral view.

Selected Work

Light Wedge

Floor installation with a physical wooden wedge that lifts one of two holographic drawings/wedges. Shown in the New Art Exchange OPEN, Nottingham.


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Random Cube Rotation

An early version of this installation was included in the New Contemporaries exhibition at the Institute of Contemporary Arts, London.


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Three Planes Transected

Digital hologram containing three distinct planes of light, each punctuated by a rectangular void. Illuminated by structured projected light.


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Featured Writing

Holography: How Artists Sculpt with Light, Space, and Time

Commissioned by the Guggenheim Museum, New York, in connection with Deana Lawson’s Centropy solo exhibition.

The piece explores how artists began developing work using holography in the late 1970s and early 1980s, and includes recent work by an international group of artists.

Holography

Spatial mark-making investigating holography as a process, technique, and visual language.

Light

Installations using points and lines of light as a methodology for ‘drawing’ in space.

Exhibitions

Solo and group exhibitions shown in a range of international galleries and museums.

Publications

Exploring the creative and cultural impact of holography in the visual arts.

Contact: web@apepper.com