E: This email address is being protected from spambots. You need JavaScript enabled to view it.

Andrew Pepper

You are here: Home \ Teaching \ Displaying items by tag: New York

Work on show in New York and St. Petersburg

Friday, 07 August 2015 14:39 Published in Fulbright

British Fulbrighter Andrew Pepper, currently has work on show at two international exhibitions.  Both part of UNESCO’s International Year of Light:



Line Addition, an early work from the Addition Series produced with Light Fantastic, London,  is on show at the Governors Island National Monument Summer Museum, New York, USA.  

 

Selected by Dr. Martina Mrongovius, the exhibition brings together a number of international artists who engaged with holography and spatial imaging in their practice.

Two other works Vertical Liquid Supported and Lean, are on show in a new exhibition space at the recently renovated Elisseev Palace in St. Petersburg, Russia.

 

The show was launched at the start of an international symposium on display holography in June, and features examples of creative work in the field.  It continues until the end of October 2015.

 

Andy originally spent a year at the prestigious Museum of Holography, New York, undertaking social history research around creative holography, as well as learning technical and exhibition skills.  He went on to be awarded the first Doctorate in Fine Art Holography from the University of Reading, UK, based on his Fulbright research and subsequent work.  His Fulbright year was so successful that it was renewed for a further 12 months which allowed him, with the support of the Museum, to travel to the West Coast of America and interview key artists and scientists working with holography.

For more details about Andy and his work, please use the menu at the top of the page to explore.

Summer Museum

Thursday, 11 June 2015 13:44 Published in Group Exhibitions

The Summer Museum at the Governors Island National Monument, New York, USA, features work from an international group of artists selected by Dr. Martina Mrongovius, director of New York's Holo Center. 

Line Addition, an early work from the Addition Series produced with Light Fantastic, London, is included in the exhibition which brings together artists who engaged with holography in their practice.

Open throughout the summer, there are also a number of educational workshops and activities related to 3-D imaging, holography and light, as part of the International year of Light 2015.

More details about Line Addition here.


Exhibition dates: 23rd May - 31st September 2015.

 

Governors Island, New York

Sunday, 24 May 2015 12:44 Published in News

Line Addition, an early work from the Addition Series produced with Light Fantastic, London,  will be on show at the Governors Island National Monument Summer Museum, New York, USA.

Selected by Dr. Martina Mrongovius, the exhibition brings together a number of international artists who engaged with holography in their practice.

Organised by the Holocenter, New York, the exhibition is part of the International Year of Light 2015 and runs through the summer from May 23rd.

Museum open weekends 12 - 6pm

More details here.

Biography

Thursday, 20 February 2014 09:00 Published in About

Curved head shotAndrew Pepper studied Fine Art in the UK, where he began working with projected light and 3-D light installations. During this period he saw his first hologram in Paris, at an exhibition organised by Jody Burns and Posy Jackson, at the American Cultural Centre, in the City. With an eye on applying for postgraduate study, and needing a portfolio which accurately represented his current work, he felt that this visual technique would be the ideal process to document his light and projection installations in 3-D.

Accessing holography proved to be more challenging than he expected and he reverted to video and photography as a documentary process for his postgraduate applications. After securing a place on the MFA course at the University of Reading, where he continued to research spatial mark-making and projected light installations, he moved to New York and spent 2 years at the Museum of Holography, in Manhattan, as a Fulbright Scholar.  It was there that he learned how to make holograms at New York Holographic Labs. It was some time before he felt comfortable using the medium - wanting to find an alternative to the basic (but impressive)  3-D effect which had originally attracted him to the medium.

When he returned to the UK in 1982 he began lecturing and writing on creative holography and starting to produce his own work, which has now been exhibited in solo and group shows worldwide. He also completed a Ph.D. in Fine Art Holography, the first to be awarded by the Fine Art Department of the University of Reading and an early example of a practice-based Ph.D.  Based on this early research and current practice he has acted as external supervisor for a number of key Ph.D'.s exploring the creative and critical use of holography within the visual arts.

In 1988 Pepper was awarded a Lionel Robbins Memorial Scholarship which allowed him to continue his Ph.D. research and carry out extensive exploration in a specially built holography studio at the University of Reading.

In 1991 he moved to Cologne to take up a 5 year post with the newly established Academy of Media Arts which, as part of its studio activities, was offering Holography within its media arts department.

During this time in Germany, he was able to realise a project he had been working on for several years earlier and founded the Creative Holography Index, The International Catalogue for Holography, which provided a very high-quality collection of material about artists working in the medium, as well as commissioning several leading writers to give their views on the development of the field.

While at the Academy he was introduced to the Internet and World Wide Web and eventually began to ‘translate’ the paper publication into a digital one, making it accessible to a much wider audience. He has remained interested in this idea of digital publishing and delivered several papers on the subject at international conferences.

In 1996 he moved back to the UK to organise and co-chair Art in Holography2, a major international symposium, at the University of Nottingham,  which attracted speakers and delegates from all over the world to examine, and place pressure on, the creative and critical engagement by artists using holographic processes.

From 1999 - 2004 he directed the Shearwater Foundation Holography program, established by Posy Jackson in 1987. Each year it provided 100,000 US Dollars to support and encourage creative holography, as well as honouring several artists with the annual Holography Award, given to outstanding practitioners in recognition of their major contribution to the field.

During 2007- 2009 he directed the International Holography Fund, established to fill the gap left by the Shearwater Foundation which, during its short operational life, supported a wide range of creative holography projects worldwide.

Pepper spent over two decades as a visiting lecturer in Fine Art at Nottingham Trent University, moving to positions as full-time senior lecturer and Head of First Year in Fine Art.  He maintains a particular interest in the transition into university life with particular emphasis on the challenges encountered by new students starting their academic journey in fine art.  He was an admissions tutor (international and none standard applications) and trained as an advanced personal tutor.   He taught fine art for several years at the University of Lincoln and has contributed to professional development modules in Fine Art at the University of Nottingham, Nottingham Trent University's Hive Start To.. and Summer School courses.

View Andrew Pepper's NETWORKS

Interference : Coexistence

Tuesday, 01 January 2013 00:00 Published in Group Exhibitions

2013

The Clock Tower, Long Island City, NY, USA.

Curated by Dr. Martina Mrongovius ((Holocenter, New York / Academy of Media Arts, Cologne), this survey exhibition brought together 26 artists working with holography and included early pieces from the 70's and 80's as well as more recent examples.

Andrew Pepper showed Vertical Liquid Supported, a small reflection hologram of the shadow of liquid, held upright (unframed) by an industrial 'G' clamp.

Artists:
Margaret Benyon, Rudie Berkhout, Betsy Connors, Melissa Crenshaw & Sydney Dinsmore, Eva Davidova, Paula Dawson, Rebecca Deem, Cho Duckhee, Tristan Duke, Mary Harman, Guillermo Federico Heinze, Setsuko Ishii, Adrienne Klein, Juyong Lee, Ana MacArthur, Gerald Marks, Sam Moree, Ikuo Nakamura, Ana Maria Nicholson, Ray Park, Andrew Pepper, Julius Schmiedel, Dan Schweitzer, Fred Unterseher and Sally Weber

With new works by young Korean Artists in the Holocenter Vault Gallery:
Boyang Ahn,  Haena Bae, Bokyung Jung, Jungwon Park and Eunjo Yang.


Exhibition dates 6th September - 9th October, 2013

 

 

About

Andrew Pepper works with projected light, holography and installation.  Based in the UK,  he has exhibited his work in group and solo exhibitions internationally and, as a senior lecturer in fine art at Nottingham Trent University, he taught on the BA (Hons) fine art course, the Master of Fine Art course and has acted as a PhD examiner for a wide range of key project-based research submissions.

 

This site is part archive, collecting text and images of work dating back to 1977, part centralised list for exhibitions and publications and part organisational tool to bring scattered information into one accessible location.  More >>

 

Find

Much of the content on the site has been collected into categories for easy access.  Key groups are listed to the left under QUICK LINKS but you can also search the entire site using work titles, event names or key phrases.