Andy Pepper Administrator
Hi my name is Cong Keenan and I have been the Creative Director on Medunten Technology. The languages only differ in their grammar, their pronunciation and their most common words
Website URL: http://themesoul.com
Holography A Critical Debate within Contemporary Visual Culture
Thursday, 05 November 2020 Published in Writing Be the first to comment!
Special Arts issue edited by Andrew Pepper and Published by MDPI, Basel, Switzerland.
As part of MDPI's Arts publication, Andrew Pepper was invited to guest edit this special issue which deals with critical observations about the use and development of holography within visual arts and vulture.
Holography A Critical Debate within Contemporary Visual Culture.
A wide range of practitioners, artist, curators and observers have contributed chapters to the book in which they place critical presure on their own work or consider the inclusion of works with holography in cutlural venues.
Availabel as a hardback publication, which can be ordered directly from the publishers here,
a free PDF version which can be downloaded here
and as an online publication here.
ISBN 978-3-03936-226-4 (Hbk)
ISBN 978-3-03936-227-1 (PDF)
Contributers include:
Angela Bartram
Sydney Dinsmore
M. Melissa Crenshaw
Andrew Pepper
Pearl John
August Muth
Jacques Desbiens
Doris Vila
Mary Harman
Preface to ”Holography—A Critical Debate within Contemporary Visual Culture”
This Special Issue attempts to provide a platform for the critical discussion, reflection and analysis of holography, as a process and methodology within the work of creative practitioners. The Issue examines, through the values and vocabulary of artists and curators, how this medium has developed as a considered practice and where pressure can be placed upon the critical principles of this relatively young medium. The participants published here have taken a risk, not only through the public examination of their development, but also by attempting to contextualise the use and display of holography within a contemporary, cultural framework. I want to thank the contributors of this Special Issue, who share my curiosity towards the critical investigation and contextualisation of our work and ideas in the sphere of creative holography.
Andrew Pepper
Special Issue Editor
A new book, edited by Andrew Pepper, published by MDPI Switzerland
Holography A Critical Debate within Contemporary Visual Culture, brings together key artists, curators and observers to offer a critical reflection on the development of holography in the visual arts.
Published by MDPI Switzerland, it is available in hardback or as a free PDF download.
Enough is Definitely Enough - Middlesbrough
Thursday, 05 November 2020 Published in Group Exhibitions Be the first to comment!
Pineapple Black, Middlesbrough, UK
The third and final stage in this curated exhibition where 61 contemporary artists have made new artworks in response to a postcard version of Velázquez’s masterpiece, Las Meninas for an exhibition which launched at General Practice in Lincoln during 2019.
Enough is Definitely Enough - Middlesbrough
Thursday, 05 November 2020 Published in News Be the first to comment!
Enough is Definitely Enough moves to its final venue in Middlesbrough during September and October.
This is the final outing for the exhibition which features work from now 61 artists who all respond to an adapted postcard of Velázquez’s masterpiece, Las Meninas, arguably the most widely interpreted of all paintings.
Organised and curated by Andrew Bracey the show can be seen at Pineapple Black in Middlesbrough.
Enough is Definitely Enough - Salford
Wednesday, 03 June 2020 Published in News Be the first to comment!
Enough is Definitely Enough moves to Salford for an exhibition during March and April.
An adapted postcard of Velázquez’s masterpiece, Las Meninas has been produced for the exhibition Enough is Definitely Enough at Oceans Apart, UK.
The exhibition features a huge variety of different artistic responses, from over 50 contemporary artists, to the Spanish painter’s masterpiece - arguably the most widely interpreted of all paintings.