[et_pb_section fb_built=”1″ _builder_version=”4.24.0″ _module_preset=”default” min_height=”509.7px” custom_margin=”0px||0px||false|false” custom_padding=”30px||||false|false” box_shadow_style=”preset1″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”3_5″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
New text Published \u2013 August 2025.<\/strong><\/p>\n Quiet Recognition: The W\u00fcrth Collection Embraces Holography<\/strong><\/p>\n A new article exploring the quiet move of creative holography from the critical \u2018margins\u2019 into something that might be considered the critical mainstream.<\/p>\n It explores art critics\u2019 comments from the 1970s and highlights the recent acquisition of creative holography by the German W\u00fcrth Collection, which has mounted an exhibition drawing on its extensive holdings of 20th-century artists, shown alongside its new holography acquisitions.<\/p>\n \u201cThe inclusion of holography in an established collection like W\u00fcrth\u2019s is a bold statement. To go further and dedicate a major exhibition, hosted in a purpose-built museum, running for nearly two years, and offering free entry, is unprecedented.\u201d<\/p>\n