[et_pb_section fb_built=”1″ _builder_version=”4.24.0″ _module_preset=”default” min_height=”509.7px” custom_margin=”0px||0px||false|false” custom_padding=”30px||||false|false” box_shadow_style=”preset1″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”||70px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”2_5″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Catalogue” _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
Oceans Apart, Salford, UK<\/strong><\/p>\n 7 March – 3 April 2020 The second stage in this curated exhibition features over 53 contemporary artists who have created new artworks in response to a postcard version of Vel\u00e1zquez\u2019s masterpiece, Las Meninas, originally shown at General Practice in Lincoln, with new additions for this venue.<\/p>\n Enough is Definitely Enough presents a wide variety of artistic responses to the Spanish painter\u2019s masterpiece\u2014arguably the most widely interpreted painting in art history.<\/p>\n Andrew Pepper has produced an adapted postcard that removes the back of the large canvas (on the left of the painting) and replaces it with a reflection hologram displaying a space recorded in the past.\u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.apepper.com\/studio\/wp-content\/uploads\/2019\/03\/Front.jpeg” title_text=”Front” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Las Meninas with reflection hologram and incised lines.<\/em> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”3_4″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.apepper.com\/studio\/wp-content\/uploads\/2019\/03\/Detail.jpeg” title_text=”Detail” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”-15px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n Postcard detail.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”Catalogue” _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Art Historian Daniel Arasse reflected many people’s view that everything, or perhaps even nothing, has been said about Las Meninas -“what’s the difference, enough is definitely enough!”.<\/p>\n The artists in the exhibition build upon previous interpretations by renowned artists such as Pablo Picasso, Richard Hamilton, Francisco Goya and Eve Sussman. Artists have long been actively influenced by the centuries old painting by Vel\u00e1zquez; with their responses, in turn, offering influence back to Las Meninas<\/em> to enable new readings. With the artworks made for \u2018<\/em>Enough is Definitely\u00a0Enough\u2019 there is potential for new relationships with Velasquez’s original painting to open up.<\/p>\n The exhibition is curated by Andrew Bracey and forms part of his PhD research at the University of Lincoln. He is exploring how contemporary artists have used and appropriated existing paintings by other artists, through a position of using the metaphor of the parasite and symbiosis in connection with painting.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n Participating Artists:<\/strong>
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Andrew Pepper 2019<\/p>\n
Euripides Altintzoglou, Tristram Aver, Maggie Ayliffe, Sarah Bennett, Juan Bolivar, Andrew Bracey, Louise Bristow, Kate Buckley, Louisa Chambers, Fiona Curran, Gordon Dalton, Karen David, Annabel Dover, Leo Fitzmaurice, Rebecca Fortnum, Rachel Goodyear, Sim\u00f3n Granell, Tom Hackney, Sharon Hall, Lesley Halliwell, Simon Harris, Ilona Kiss, Geoff Diego Litherland, Alison Lloyd, Cathy Lomax, Rachel Lumsden, Danica Maier, David Manley, Enzo Marra, Andy Pepper, Yelena Popova, James Quinn, Daniel Rapley, Lucy Renton, John Rimmer, John M Robinson, David Ryan, Nick Simpson, Stephen Snoddy, Soheila Sokhanvari, Annabel Tilley, Alun Williams, Gerard Williams.<\/p>\n