[et_pb_section fb_built=”1″ _builder_version=”4.24.0″ _module_preset=”default” min_height=”509.7px” custom_margin=”0px||0px||false|false” custom_padding=”30px||||false|false” box_shadow_style=”preset1″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_heading title=”Analogue Ensemble: Extending the Frame, Whitstable Biennale 2018. ” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_heading][et_pb_text admin_label=”Catalogue” _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
A new work, Lean Two,<\/strong> by Andrew Pepper, has been made specifically for the show and developed from an earlier examination<\/a> of placement, framing and the peripheral view.\u2028<\/p>\n Analogue Ensemble: Extending the Frame<\/strong> invited four artists working with experimental film, video and 3D light works to contribute to the exhibition.<\/p>\n Bringing together holograms, woven film, recorded mobile phone performance and a classic avant-garde film used anew as a graphic score, the exhibition explores the relationship between screen space, physical space and the experience of viewing moving images within the conditions of the gallery.\u2028<\/p>\n Studio 3 Gallery, University of Kent, School of Arts, Canterbury, UK.<\/p>\n