{"id":27105,"date":"2020-07-01T00:00:09","date_gmt":"2020-06-30T23:00:09","guid":{"rendered":"https:\/\/www.apepper.com\/studio\/?p=27105"},"modified":"2025-10-09T09:32:32","modified_gmt":"2025-10-09T08:32:32","slug":"holography-a-critical-debate","status":"publish","type":"post","link":"https:\/\/www.apepper.com\/studio\/holography-a-critical-debate\/","title":{"rendered":"Holography &#8211; A Critical Debate within Contemporary Visual Culture"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<p>In 2018 Andrew Pepper was approached to act as a guest editor for a special arts issue published by MDPI, which would explore critical aspects of holography within contemporary visual culture.<\/p>\n<p>An open call for submissions was issued and a number of artists and curators were approached to contribute.<\/p>\n<p>The publication is available in <a href=\"https:\/\/www.mdpi.com\/books\/reprint\/2527-holography-a-critical-debate-within-contemporary-visual-culture\" target=\"_blank\" rel=\"noopener\">hardback<\/a>,\u00a0<a href=\"https:\/\/mdpi-res.com\/bookfiles\/book\/2527\/HolographyA_Critical_Debate_within_Contemporary_Visual_Culture.pdf?v=1756256576\" target=\"_blank\" rel=\"noopener\">and as a free PDF file<\/a>.<\/p>\n<p>Published by MDPI Switzerland, 2019.<br \/>ISBN 978-3-03936-226-4 (Hardback)<br \/>ISBN 978-3-03936-227-1 (PDF)<\/p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p><strong>Preface to \u201dHolography\u2014A Critical Debate within <\/strong><strong>Contemporary Visual Culture\u201d<\/strong><\/p>\n<p>This Special Issue attempts to provide a platform for the critical discussion, reflection and analysis of holography, as a process and methodology within the work of creative practitioners. It examines, through the values and vocabulary of artists and curators, how this medium has developed as a considered practice and where pressure can be placed upon the critical principles of this relatively young medium.<\/p>\n<p>The participants published here have taken a risk, not only through the public examination of their development, but also by attempting to contextualise the use and display of holography within a contemporary, cultural framework.<\/p>\n<p>I want to thank the contributors of this Special Issue, who share my curiosity towards the critical investigation and contextualisation of our work and ideas in the sphere of creative holography.<\/p>\n<p>Andrew Pepper<br \/><em>Special Issue Editor<\/em><\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/www.apepper.com\/studio\/wp-content\/uploads\/2025\/08\/Melissa-Cover-image.jpg&#8221; title_text=&#8221;Melissa-Cover image&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<p>Original image used for the Special Issue cover courtesy of Melissa Crenshaw.<br \/><em>Healing for Broken Hearts<\/em>, 1986,<br \/>Pseudo-colour reflection hologram, 12 \u00d7 16 \u00d7 8 in.<br \/>From the Z-Axis series.<br \/>Produced at the Global Images Holographic Studio,<br \/>Vancouver BC, Canada.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p><strong>Contributers include:<\/strong><\/p>\n<p>Angela Bartram<\/p>\n<p>Sydney Dinsmore<\/p>\n<p>M. Melissa Crenshaw<\/p>\n<p>Andrew Pepper<\/p>\n<p>Pearl John<\/p>\n<p>August Muth<\/p>\n<p>Jacques Desbiens<\/p>\n<p>Doris Vila<\/p>\n<p>Mary Harman<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/www.apepper.com\/studio\/wp-content\/uploads\/2025\/08\/Front-Cover-Outdoor.jpg&#8221; title_text=&#8221;Front-Cover-Outdoor&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>Special Issue offering critical discussion, reflection, and analysis of holography in the creative arts.<\/p>\n","protected":false},"author":1,"featured_media":26138,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-27105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications"],"_links":{"self":[{"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/posts\/27105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/comments?post=27105"}],"version-history":[{"count":19,"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/posts\/27105\/revisions"}],"predecessor-version":[{"id":29502,"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/posts\/27105\/revisions\/29502"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/media\/26138"}],"wp:attachment":[{"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/media?parent=27105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/categories?post=27105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.apepper.com\/studio\/wp-json\/wp\/v2\/tags?post=27105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}