Five surprising ways holograms are revolutionising the world<\/em><\/a>,\u00a0 theconversation.com, 17 May<\/li>\n<\/ul>\n2014<\/strong><\/p>\n\n- SKYLINES<\/em>, digital publication available on the iBook store, brings together a selection of photographs, specially produced digital drawings and slowly shifting animation<\/li>\n<\/ul>\n
2013<\/strong><\/p>\n\n- Light liquid: a holographic \u2018lake\u2019 installed on the roof of an architect\u2019s model townscape.<\/em>, Proceedings, 9th International Symposium on Display Holography (ISDH 2012)<\/em>, MIT Media Lab, Cambridge, Massachusetts, USA, Journal of Physics: Conference Series<\/em> 415, 22 February 2013<\/li>\n
- Holography without frames: sculptural installations incorporating \u2018drawn\u2019 elements.<\/em>, Proceedings, 9th International Symposium on Display Holography (ISDH 2012)<\/em>, MIT Media Lab, Cambridge, Massachusetts, USA, Journal of Physics: Conference Series<\/em> 415, 22 February 2013<\/li>\n
- Pseudo architecture: holographic monument.<\/em>, Leonardo Journal of Art, Science and Technology<\/em>, 46 (3), pp. 288\u2013289, MIT Press, USA<\/li>\n
- Spatial mark-making \u2013 \u2018drawn\u2019 marks \u2018off\u2019 the surface \u2013 a series of workshops.<\/em>, TRACEY: Drawing and Visualisation Research<\/em>, special edition, Drawing Knowledge<\/em> (August)<\/li>\n<\/ul>\n
2012<\/strong><\/p>\n\n- Memorial, Ruben Nu\u00f1ez.<\/em>, Holographer.org, January 2012<\/li>\n
- Spatial Mark Making \u2013 \u2018Drawn\u2019 Marks \u2018off\u2019 the Surface \u2013 A Series of Workshops.<\/em>, Proceedings, Drawing Research Network Conference<\/em>, Loughborough University, pp. 251\u2013267, September 2012<\/li>\n<\/ul>\n
2009<\/strong><\/p>\n\n- Memorial, Rudie Berkhout.<\/em>, Holographer.org, February 2009<\/li>\n
- periphery<\/em>, Featured work, YH485 Press, UK, September 2009, p. 16<\/li>\n<\/ul>\n
2008<\/strong><\/p>\n\n- The Perception of Reality \u2013 Looking at Looking. Holography in the Modern Museum.<\/em>, RPS conference, De Montfort University, Leicester, UK, September 2008<\/li>\n<\/ul>\n
2006<\/strong><\/p>\n\n- Supporting Creative Holography, The Shearwater Foundation 1987\u20132004.<\/em>, Proceedings, 7th International Symposium on Display Holography<\/em>, Wales, UK, July 2006<\/li>\n<\/ul>\n
2005<\/strong><\/p>\n\n- Art Holography<\/em>, Encyclopedia of Modern Optics<\/em>, Elsevier Academic Press, Oxford, UK<\/li>\n<\/ul>\n
2004<\/strong><\/p>\n\n- Something in the air: Stephen Benton and a \u2018family\u2019 reunion.<\/em>, Holographer.org, January 2004 (site launch)<\/li>\n<\/ul>\n
2002<\/strong><\/p>\n\n- Architectural Holography: Building with light, decorating with space.<\/em>, Royal Photographic Society Holography Group Conference on Holography, Art and Design, Royal College of Art, London, UK, 23 March 2002<\/li>\n<\/ul>\n
2001<\/strong><\/p>\n\n- CFR, Kilroy and the Luminous Pencil<\/em>, Style is Fraud \u2013 Carl Fredrik Reutersw\u00e4rd<\/em>, Bokf\u00f6rlaget Arena, Sweden, pp. 104\u2013109, ISBN 91-7843-187-5<\/li>\n
- Building with Light: Holography, glass and architecture.<\/em>, This Side Up<\/em>, No. 15, September 2001, pp. 2\u20134, ISSN 1389-1707<\/li>\n<\/ul>\n
2000<\/strong><\/p>\n\n- Windows with memories: Creative holography in the real world.<\/em>, This Side Up<\/em>, No. 10, June 2000, pp. 15\u201318, ISSN 1389-1707<\/li>\n
- Archiving a Creative History: Holography for a future generation.<\/em>, Holography 2000<\/em>, St. P\u00f6lten, Austria. SPIE proceedings, Volume 4149, pp. 287\u2013292<\/li>\n<\/ul>\n
1998<\/strong><\/p>\n\n- Holography \u2013 A Digital Community on the Internet.<\/em>, The Royal Photographic Society Holography Group. Conference on Holography and 3D Displays: New Materials and Techniques.<\/em>, London, UK<\/li>\n<\/ul>\n
1997<\/strong><\/p>\n\n- The National Holographic Centre England: Proposal report.<\/em>, 6th International Symposium on Display Holography<\/em>, Lake Forest College, Lake Forest, USA, SPIE proceedings Volume 358<\/li>\n
- Artists in Conference \u2013 An international perspective.<\/em> (co-author with D.E. Tyler). 6th International Symposium on Display Holography<\/em>, Lake Forest College, Lake Forest, USA, SPIE proceedings Volume 3358<\/li>\n<\/ul>\n
1996<\/strong><\/p>\n\n- Holography on the Internet: a useful resource or expensive distraction?<\/em>, Practical Holography 10<\/em>, San Jose, California, USA, SPIE proceedings, Volume 2652<\/li>\n
- Seeing Things: Australian Holographic Art<\/em>, Convergence, Journal of Research into New Media Technologies<\/em>, John Libbey Media, Spring, Vol 2, No 1, pp. 145\u2013147<\/li>\n<\/ul>\n
1995<\/strong><\/p>\n\n- Holography as Large-Scale Event<\/em>, Solart Global Network<\/em> (J\u00fcrgen Claus editor), Leonardo<\/em>, MIT Press, USA, Vol. 28, No. 3, p. 234<\/li>\n
- Where is the Art?<\/em>, Karas Tiny Magazine, Karas Studios, Madrid, Spain, December, p. 3<\/li>\n<\/ul>\n
1994<\/strong><\/p>\n\n- The art of collaboration: a conflict of disciplines or constructive relationship<\/em>, (co-author with Eric P. Krantz), 5th International Symposium on Display Holography<\/em>, Lake Forest College, Lake Forest, USA, SPIE proceedings, Vol 2333, pp. 247\u2013254<\/li>\n
- Single exposure color mixing technique for rainbow \u201cshadow\u201d holograms<\/em>, Practical Holography 8<\/em>, San Jose, California, USA (co-author with Eric P. Krantz), SPIE Proceedings<\/li>\n
- Beyond the Gallery Ghetto. The Creative Holography Index<\/em>, The International Catalogue for Holography<\/em>, Monand Press, Bergisch Gladbach, Germany, Vol 2, issue 2<\/li>\n<\/ul>\n
1993<\/strong><\/p>\n\n- Cataloguing creative holography: an historical necessity or contemporary illusion?<\/em>, Quebec International Symposium on Holography, Quebec, Canada, SPIE Proceeding<\/li>\n
- A single beam recording system for creative holography and education<\/em>, Quebec International Symposium on Holography, Quebec, Canada, SPIE Proceedings<\/li>\n<\/ul>\n
1992<\/strong><\/p>\n\n- Qu\u00e9 piensa usted, Jos\u00e9 Buitrago<\/em>, ARCO catalogue, Videoarco \u201992, Madrid, Spain<\/li>\n<\/ul>\n
1991<\/strong><\/p>\n\n- Creative Holography: Its Development in the Academy of Media Arts Cologne, Germany<\/em>, (Co-author with Dieter Jung), International Symposium on Display Holography, July, Lake Forest, IL, USA, SPIE Proceedings Vol. 1600<\/li>\n<\/ul>\n
1990<\/strong><\/p>\n\n- A Strength of Purpose: The International Congress on Art Holography<\/em>, (re)Mark<\/em>, September 1990, No. 1<\/li>\n<\/ul>\n
1989<\/strong><\/p>\n\n- Holographica Pulls the Crowds<\/em>, Holographics International<\/em>, Spring 1989, No. 5, pp. 19\u201320<\/li>\n
- Display Holography in the UK: An Overview<\/em>, Holographie-Jahrbuch\/Holography-Yearbook<\/em> 1989\u201390, pp. 1.65\u20131.69<\/li>\n
- HoIographic Space: A Generalised Graphic Definition<\/em>, Leonardo Journal, Holography as an Art Medium<\/em>, Special issue. Vol 22, No 3 & 4, pp. 295\u2013298<\/li>\n<\/ul>\n
1988<\/strong><\/p>\n\n- Drawing in Space: A holographic system to simultaneously draw images on a flat surface and in three-dimensional space<\/em>, PhD Thesis, Department of Fine Art, University of Reading, UK<\/li>\n
- New Design For Holographic Camera<\/em>, Holosphere<\/em>, Fall, Vol 15, No 3, p. 11<\/li>\n
- School of Holography in LA<\/em>, Holosphere<\/em>, Fall, Vol 15, No 3, p. 29<\/li>\n
- Holography, Visual Medium or Cheap Trick?<\/em>, Art Monthly<\/em>, December\/January 1988\/89, No 122, pp. 9\u201313<\/li>\n<\/ul>\n
1987<\/strong><\/p>\n\n- Expansion of Holographic Film Products<\/em>, Holosphere<\/em>, Spring, Vol 15, No 1, pp. 12\u201313<\/li>\n<\/ul>\n
1986<\/strong><\/p>\n